By Christopher Zehnder
The following is the text of a talk I delivered at the June 2016 conference of the Institute for Catholic Liberal Education in Philadelphia, Pennsylvania
“The creative historian” – who will not deny that the phrase implies a contradiction, a lie, a heresy? Even I who conceived it dread to utter it, and not least for fear that some of you may feel compelled to denounce me to the authorities for my impertinence for even making such a connexion between creativity and history. To suggest, too, as I do, that creative imagination plays any part in so seemingly an objective study as history – is that not some spawn of postmodern despair that concludes that all claims to truth are naught but lunges at power? For the creative imagination is a mighty power and, in its own realm, divine in its efficacy. It can take the events and personalities of bygone times and by a deft manipulation arrange them into a tableau that accords with its own preconceptions and pleasures. If anything – far from being an aid to the historian, creative imagination would seem to threaten him with his greatest peril and pitfall.
Moreover, when we consider where the creative imagination has most free play, we will be more than justified to reject any tie between it and the historical discipline. I refer here to what J.R.R. Tolkien called “sub-creation,” the realm of myth and fable. It was Tolkien himself that gave us the best modern example of sub-creation, especially in his magnum opus, the Silmarilien, where he creates nothing less than a mythical history of the early ages of the world. Speaking of the concept of sub-creation, Tolkien wrote:
“We have come from God, and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming “sub-creator” and inventing stories, can Man aspire to the state of perfection that he knew before the Fall.”
Here it is clear that, for Tolkien, sub-creation does not equate with falsehood. It will contain “error,” but it will shine with the light of truth. Let this be so. Still, who will deny that the truth for which a Tolkien will strive in his sub-creation is not entirely the same truth the historian seeks in his attempts to reconstruct the past? Continue reading